VIDEO FORMATS WE CAN ACCEPT:

  1. Bullet HDCAM SR in any frame rate the machine supports (also HDCAM)

  2. Bullet D-5 cassettes in any video format this machine can handle (and that’s a lot)

  3. Bullet DigiBeta (NTSC digital only - no analog SP tapes, please)

  4. Bullet Avid .MXF files (as single consolidated video files on CD / DVD (data) / FireWire Drive

  5. Bullet QuickTime files in many resolutions - please call to verify compatibility

  6. Bullet MiniDV tapes in either DVCAM or standard DV in both PAL and NTSC

  7. Bullet V-1 digital hard-drive - please call for media information

  8. Bullet 3/4” cassettes can be used in emergencies, but only as a last resort

AUDIO FORMATS WE CAN ACCEPT:

House Standard for digital audio files is 48KHz at 24 Bits. All other resolutions will be converted to this standard.

  1. Bullet PROTOOLS SESSIONS in folders with all audio data and fades make us very happy

  2. Bullet CD or DVD (data) disks are next best. CD audio will be converted to 48KHz at 24 Bits

  3. Bullet DAT tapes

  4. Bullet DA-88 (and other DTRS varieties)

  5. Bullet QuickTime files (audio can be part of a movie file)

  6. Bullet Audio Tracks on any of the supported Video Formats above

  7. Bullet We also have RADAR II digital multitracks - please call for media information

ABOUT OUR EQUIPMENT:

  1. Bullet Digidesign’s D-Command consoles are installed in Mix-A, Mix-B, Mix-C and our ADR suite

  2. Bullet ProTools HD systems (17 of them) are in use in all editorial and mixing suites

  3. Bullet PMC audio monitors are used throughout the facility for accuracy and continuity

  4. Bullet Bryston power amplifiers drive the PMCs for maximum benefit

  5. Bullet DolbyFax ISDN services are provided with ednet affiliation in our ADR suite

  6. Bullet DigiDelivery Server for secure internet transfer of audio files (MORE INFO)

For more detailed information, please call us to discuss your particular needs. We will be happy to assist you with any technical obstacles you may be facing - we’re here to help!

We have designed the facility to work in either NTSC or PAL

Complete Sound Services for Post-Production